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Our Mission: Give dancers the opportunities, knowledge, information and connections to realize dreams, find success and fulfillment, in the ever changing, diverse and beautiful art form of dance.
By Amber Heil
Ballet Leotards
Recently ballet has gone back to the basics. Although some ballerinas may occasionally wear warm-ups, basic leotards and tights are becoming more popular in the dance studios. If ballet students do wear any warm-ups, it is most likely warm-up shorts. These shorts are great to keep the hip joints warm and make quite a fashion statement. Not only are dancers wearing warm-up shorts in basic black, but colorful stripes have also become very popular.
Leotard Styles
By Dianne M. Buxton
A key area of dancing for females is pointe work, and a key area for males is jumping. In early training, regardless of age, there are 7 highly effective habits that will contribute to excellence in both these areas. This analysis can apply to other areas of dance in the same way also, I'm choosing this one for the sake of discussion.
***First, education as to specific physical attributes and shortcomings. Every dancer would like to have long and stretchy Achilles tendons, and flexible ankles. These 2 advantages provide the biggest movement between the bottom of a demi-plie and the take-off point of a releve or jump. One of the dancers in my class at the National Ballet School of Canada had a very shallow demi-plie. Yet, she had very flexible ankles and a high arch, and this gave her the thrust to jump very high.
By Julia Godoy
Becoming a ballet dancer can be difficult. It is not something that can be learned overnight, nor can it be mastered in a few months. Taking ballet classes is imperative to learn the proper techniques necessary to become a truly magical ballet dancer
My favorite costume companies are at the top. These are companies I have ordered from and had great service and good quality items.
Kellé Company
Dance costumes, dancewear, dance clothes
http://www.kellecompany.com
Just For Kix
Dance costumes, dancewear, shoes, accessories. JFK offers Dance Camp for all types of dance.
www.justforkix.com
Triple Threat Dancewear
Lyrical Costumes, Jazz Costumes, Tap Costumes, Novelty, Broadway, All Star Dance, Themed, Fairytale, African, Animal, Punk Rock and Goth costumes
You have finally gained the experience and the financial backing it takes to run your own dance studio. Congratulations! Now comes one of the hard parts: marketing it to an audience to gain clientele. Here is an outline of ideas that one can use in starting up your dance studio and with the economic hardships of our time, some of these ideas are fairly inexpensive, if not free!
Word of mouth: Obviously you have the skills and possibly already have a few potential dancers lined up already, but it really is not enough. To start off, you need to create a snappy catch phrase that will have the dancers sashaying through those doors. The more creative, yet simplistic that you are with your catch phrase, the more buzz it will create. Once you have a catch phrase intact, ask your friends and fellow dancers to spread the word about your studio. Also, do not be afraid to make a scene!
The choreographer leans forward, as if picking a flower. He executes a pirouette and offers the token to his reflection. Walking in a circle, the man considers his next move and a second later he is sliding on his knees, twisting back up and stepping foot over foot to the right. The choreographer is creating a dialogue, a private conversation. Sweat on his brow, he continues to move, expressing thoughts and feelings without words. This will go on for some time, the choreographer’s real body and mirrored self speaking in the language of dance.
Movement, the dialect of the body, is an ages old tradition of expressing oneself. History tells us that we danced in celebration, in rituals, in battle sometimes. We have always danced. Now, of course, all of these reasons remain though we have expanded. We are entertainers, professionals, competitors, artists. We have taken that thing inside of us that makes us tap our toe or shimmy our hips when we hear music a
You have seen the moves in pop music videos for artists such as Britney Spears and NSYNC and on broadcast television with So You Think You Can Dance?. You have seen the commercials and danced to the music. So who is the mastermind behind all those delicious moves and upbeat music? None other than Wade Robson.
Who is Wade Robson? He is a choreographer, director, songwriter and producer, as well as a film director and shoe designer only in his mid twenties with twenty years of experience under his belt. How is that possible? Talent. With a hearty resume and the adrenaline still pumping, Wade has become a dance prodigy, touching all aspects of entertainment across the globe on stage, on camera and on your Ipods.
By Lindsey Huster
From the advent of Al Jolson in The Jazz Singer, to more recent Zac Efron moves in High School Musical, one component of the film musical genre has remained constant: dance.
Alright ladies, we know how this works. You want to learn how to dance and you found yourself a reluctant partner. Or it could be the other way around, he has dragged you into the dance class and you have a bad attitude. He is being a little slow on learning the steps and your patience is wearing thin, thus, you start taking the lead to get it over with. When the dance instructor takes notice, he or she will scold you. To save your dance partner and yourself the embarrassment, here is your guide for choosing the right person to dance with and making the most of your dance experience. Most importantly, this is a guide on how to stop being dominant and how to act on the dance floor with your partner!
“I’ve spent all my life with dance and being a dancer. It’s permitting life to use you in a very intense way. Sometimes it’s not pleasant. Sometimes it’s fearful, but nonetheless it’s inevitable.”
 By Marie Seidl
When thinking of dance we often think only of the dancer, whose dreams began at an early age, twirling around whimsically in a tiny tutu. What about the angle of the instructor? Teaching dance to young children presents unique challenges that require creative solutions, all while creating a great sense of accomplishment in both student and teacher.
Kim Boese, former student and now teacher at Kay's Academy of Dance in Mukwonago, enjoys the challenges and accomplishments of teaching dance to young children. "Kay was my dance teacher from the time I entered the studio,” remarks Boese, “From her influence, I have been able to enjoy all the wonders teaching dance holds."
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